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  • 11:04 only thing that makes me happier than Sunday mornings w/ Frank Rich is Sunday mornings w/ Sarah Vowell #
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  • 11:48 @digitalyn yum! #
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  • 23:37 another Saturday night, another seven hours of work to do. #
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  • 02:50 @Remender Keep in mind lots of politically-minded Obama supporters just wanted to see what McCain said. ;) #
  • 03:24 @jsmooth995 can't blame the kid trying to avoid all the food recalls. solve the problem in fewer steps. eat your money. #
  • 08:08 Rent paid. I can live on plain ramen and slim fast shakes. THRIVE EVEN. Lettering Hector Plasm comic (late). #
  • 22:17 Just saw Brazil for the first time. Holy wow. NewJason & Dean's trippy movie month continues. We're all in this together. #
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purvision
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About the election.
It is time for me to stop watching or worrying.

Most of the country is either on one side or the other.
The next two months are about converting the undecided, of which I am not.
The campaigners are simply fighting over the [increasingly narrow] margin who throw the election one way or the other.
So, neither side is speaking to me anymore.

I'll show up on election day and cast my vote.
But if it goes ugly, I may get into a barfight.
(Hrm. Maybe I should spend the next nine weeks doing pushups just in case...)
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  • 17:10 DMZ #1-22 are all sold out of print runs. For whatever that's worth. #
  • 17:54 @spinmatt i sold several sets of 1-34 at SDCC for $50 (a bargain!) #
  • 19:36 Ryan Kelly sketches: tinyurl.com/6j5b3z #
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TAKE ME WITH YOU TOWARD THE LIGHT



I'm not even sure it's worth writing about the Antony and the Johnsons show we saw tonight. Not because it wasn't good, but because my abilities are inadequate. They played a concert here in Portland backed by the Oregon Symphony Orchestra, and it was one of the most serenely beautiful experiences of my life. If I could convey to you in words the purity and the beauty we witnessed in that room, I would be a writer of much greater renown, believe me. Listening to Antony Hegarty sing, I was immediately humbled. Few people can move an audience the way he moved the concert hall tonight.

The show began in total darkness. Antony walked on from stage right, stepping in front of the curtains without them opening. When he took the microphone at the center of the stage, we could only see his outline, but as soon as he opened his mouth, there was no mistaking who it was. "Sometimes the wind blows," he sang, the opening lines of his Julee Cruise cover, "Mysteries of Love." There was the barest instrumentation backing him up, and his voice reverberated across the Schnitz like some kind of cosmic force. That's the only way I can describe it: otherworldly. A few songs in, even after we could finally see Antony, I leaned over to Joëlle and said, "I can't believe that sound is coming out of a human." From the first syllables, my eyes filled with tears. I was that moved. I lightly cried through the first five or six songs. I saw Joëlle wiping tears away, too, and even Andy admitted to crying a little.

The set hit an emotional crescendo for me during "I Fell in Love With a Dead Boy." The song as it's recorded has a long pause t the tail end of the first verse, and in this venue, Antony milked it for all it was worth. The entire orchestra held, waited for his signal, and he let it roll on, letting the anticipation build. "I fell in love with you..." The voice came back like a fist. There wasn't a dry eye in the house.

The band played for about an hour and fifteen minutes. Most of the material was older--"The Rapture," "Cripple and the Starfish," "River of Sorrow"--mixed with a bunch of awesome newer numbers that make me eager to hear the next album. The only song off of I Am a Bird Now was a soaring "For Today I Am a Boy." He also did a second cover, a slowed-down, syrupy take on Beyonce's "Crazy in Love." I didn't recognized it at first, and I couldn't understand why other people in the audience were hooting and hollering about it. Then I heard the chorus, and I finally got it. After hearing that, I'd have killed for him to tackle some Christina.

For as powerful as the Antony and the Johnsons songs are on record, there is nothing to compare to seeing them in this kind of setting. The way he moved, how his gestures and his face showed the pain of every word, there was no doubting that the songs are born of a heartfelt sincerity and that they come from someplace very real. We were sitting in the tenth row, just left of center, so we could see everything. According to their website, this show is only being performed in four other cities: Milan; Zaragoza, Spain; Los Angeles; New York; and London. The guy sitting behind me had flown here from L.A. to see it, which had to be well worth it. He is going to see them at the Disney Hall, but I doubt it is as small a venue. I'm almost tempted to fly down and see it again, too.



Afterward, we made a brief stop to see Craig Thompson and Jeremy Tinder working in the all-night Paintallica event, which is part of the same Time Based Art Festival that brought Antony to our fair city. Craig was only two hours into the twelve hour art throwdown, and he didn't look like he was going to make it! I hope he's okay.

* Note: The photo and video were not from the Portland show I saw. Just so we're clear.

Current Soundtrack: recorded versions of all the Antony & the Johnsons songs mentioned in this post

Current Mood:

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich
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LOVE IS A TIME MACHINE UP ON THE SILVER SCREEN



UPDATED TO CRITERION CONFESSIONS...

This week's reviews written specifically for the site are:

* Au revoir les enfants, Louis Malle's movie drawing on his own childhood, showing the friendship between two boys at a Catholic school in Nazi-occupied France. One of the boys is harboring a secret, and the two become friends as that secret is exposed.

* Jimi Plays Monterey & Shake! Otis at Monterey, a double dose of performances from the Monterey Pop Festival.



THIS WEEK IN DVD REVIEWS...

* BECK: Mongolian Chop Squad - The Complete Series, a rock 'n' roll anime with a great attention to detail and a story about fulfilling one's dreams.

* The Big Lebowski: 10th Anniversary Edition. The Dude abides.

* Gossip Girl - The Complete First Season, representing my new addiction. Horny rich kids are so much fun!

* I Got the Feelin': James Brown in the '60s, a three-disc set, featuring two concerts and a documentary about Brown's show in Boston following the death of Dr. Martin Luther King.

* Satantango, Bela Tarr's seven-hour masterpiece is a riveting human tragedy. Not the greatest DVD in the world, but the movie transcends all.

* Turn the River, actor Chris Eigeman makes his directorial debut with a respectable indie drama about a pool hustler trying to win back custody of her son. Starring Famke Janssen.



Current Soundtrack: Oasis, "The Shock of the Lightning/Falling Down (The Chemical Brothers Remix);" Mogwai, The Hawk Is Howling


Current Mood:

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich
brianwood
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  • 10:48 "The greatest enemy will hide in the last place you would ever look" - Julius Caesar #

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seventy-seven
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HAIL TO WHATEVER YOU FOUND IN THE SUNLIGHT THAT SURROUNDS YOU

There is an apartment complex on the street between my house and Joëlle's where someone is always throwing away boxes of book. I dutifully check whenever I pass, though I don't think I've ever taken anything home.

Until yesterday, when on my first pass I found a 1957 first printing paperback of the screenplay for The Bachelor Party, written by the great Paddy Chayefsky. I also took a spiral-bound cookbook of recipes for Adventist doctors, whatever the hell that means. I thought Andy, who is a chef, would get a kick out of it.

On my way back, however, I looked again, and this time noticed a large hardcover book, a little worse for wear, called For Member's Only. The cover jacket was gone, and its lack of imagery is probably why I had not paid attention to it prior, and someone else had picked over the the other books in between my first and second passing, putting this one front and center. I read the title again. Peter Arno's For Members Only.

Peter Arno!





Peter Arno is one of the legendary New Yorker cartoonists, and a quick flip through the pages revealed that this was a collection of full-size black-and-white drawings. What a find!



I have no idea if the 1935 publication date shown here on the title page is the actual publication date of this particular edition. If there is a publishing indicia, it has been covered up. One of the owners has gone through every blank page in the book and added another Arno cartoon, pasted in to make it so the book features gags from cover to cover.





Some of these are a little risque, almost looking like Playboy cartoons. The second one here has a tagline of "Tallyho, godammit!"

More interesting to discover on further examination is that this book has a personal history to it. The inside front cover and first page are covered in personal notes that look like well wishes on, quite possibly, the day of somebody's wedding.



There is no indication for sure of what kind of event this was. A lot of people signed their names and also their addresses, and from the places listed, it semes that this book has stayed in Portland all this time. There is one man who signs the book and calls himself the "Flower Girl - Ha! Ha!!" and there are also people who wish the intended owner well on a trip and say to hurry back. One woman says, "May all of your troubles be little ones!" The underlining it hers, I believe intended to mean children. On the other hand, there are also notes like "Good luck to the beginning of a successful career" and "All the luck in the world to a swell person." Only one person, then?

My favorites, though, range from the amusingly chaste Kitty Halsted saying, "Come back soon. Will miss you like H---!!" (Quel scandal!) to the inexplicable "Malcolm Waltman, alias (God only knows, and he's worried)." A couple more include "I was counterfeit, I couldn't pass" and "Thanks for the education, and you know what I mean (?)" with the question mark and all.

And the poet: "Hey there! - Barney" Who is this one-named Barney?

Page 2 and 3 have a pasted cartoon and another list of names, respectively.



That list of names has a small heading in the upper right corner for "50th Anniversary." Is this 50 years since the initial signage? Quite possible, given that the first register is all in pencil and very fancy fountain-pen-like ink lines, and the second list is obviously ballpoint. It also is a list written by one person and includes in the lower right two names of people who called rather than attended, including a Pat Smith from England.

I have reason to believe this book was not abandoned where I found it by anyone connected to the original owners, as there is a pencilled-in "2.75" in the upper right corner of the inside front cover, amidst all the names, that Portland residents will easily recognize as the price marker from Powell's Books. The Chayefsky came from Powell's, too, and it looks like the price tag on the back says 2007 (if I am reading their code correctly) for when the store acquired it. It also has a pencil price inside, $4.50.

Thus, the true history of this book will likely never be known by me, all I have are the clues here. I once thought about writing a story about the world travels of my favorite suit, which was actually made for a Mr. R.A. Fisher in Hong Kong, according the labels in the jacket. What a fascinating thing to imagine, how it went from there to Portland, Oregon, possibly over several decades. One could do the same with this Peter Arno book. Who was it for, why did they get it, and what brought it out of its storage spot 50 years later? It's been beaten, possibly water soaked, soiled, and abandoned first to a bookstore and then on the street. For what reasons, and where does it go now?

Current Soundtrack: The Rascals, Rascalize

Current Mood:

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich
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